August 13, 2009
BROADCAST MUSIC, INC., HARRICK MUSIC, INC., EMI VIRGIN SONGS, INC., D/B/A EMI LONGITUDE MUSIC, STONE DIAMOND MUSIC CORPORATION, MICHAEL JOE JACKSON, D/B/A MIJAC MUSIC, DIMENSIONAL MUSIC PUBLISHING, LLC, D/B/A SONGS OF THE KNOLL, LOWERY MUSIC COMPANY, INC., WARNER-TAMERLANE PUBLISHING CORP., CAN'T STOP MUSIC, A DIVISION OF CAN'T STOP PRODUCTIONS, INC., JAMES W. BUFFETT, D/B/A CORAL REEFER MUSIC, FOURTEENTH HOUR MUSIC, INC., SPRINGTIME MUSIC, INC., CHRYSALIS STANDARDS, INC., SONY/ATV SONGS, LLC, D/B/A SONY/ ATV ACUFF ROSE MUSIC, ROY KELTON ORBISON, JR., D/B/A R-KEY DARKUS PUBLISHING, ALEXANDER ORBISON, D/B/A ORBI- LEE PUBLISHING, BARBARA ORBISON AS TRUSTEE, D/B/A BARBARA ORBISON MUSIC COMPANY, MUSCLE SHOALS SOUND PUBLISHING CO., INC., RANDOR MUSIC INTERNATIONAL, INC., D/B/A IRVING MUSIC, FORT KNOX MUSIC, INC., TRIO MUSIC CO., INC., G. LOVE, A/K/A GARRET DUTTON, D/B/A CHICKEN PLATTERS, PLAINTIFFS
IT'S AMORE CORP., T & M DRAM CORP., ALEXANDER J. TARAPCHAK, AND VINCE MARINARO, DEFENDANTS
The opinion of the court was delivered by: Judge Munley
Before the court is defendants' motion for reconsideration (Doc. 37). Having been briefed, the matter is ripe for disposition.
This case arises out of copyright infringement claims brought by the plaintiffs against the defendants, who operated a restaurant in South Abington Township, Pennsylvania. The alleged infringement came through the performance of twenty-three songs at the restaurant on October 6 and 7, 2007. Plaintiffs filed a complaint, and the parties engaged in discovery. At the close of discovery, plaintiffs filed a motion for summary judgment. On June 30, 2009, the court issued a memorandum and order granting the plaintiffs' motion for summary judgment and awarding plaintiffs $34,500 in damages and $28,455 in costs and attorney's fees. (See Doc. 35). On July 9, 2009, defendants filed the instant motion for reconsideration. (Doc. 37). The parties then briefed the issue, bringing the case to its present posture.
As this case is brought pursuant to the Copyright Act, 17 U.S.C. § 101, et seq., the court has jurisdiction pursuant to 28 U.S.C. § 1331 ("The district courts shall have original jurisdiction of all civil actions arising under the Constitution, laws, or treaties of the United States.").
Defendants move for reconsideration of this court's decisions granting summary to the plaintiffs. "The purpose of a motion for reconsideration is to correct manifest errors of law or fact or to present newly discovered evidence." Harsco Corp. v. Zlotnicki, 799 F.2d 906, 909 (3d Cir.1985); Max's Seafood Cafe ex rel. Lou-Ann, Inc. v. Quinteros, 176 F.3d 669, 677 (3d Cir. 1999). The movant must demonstrate one of three grounds for such a motion to be granted: (1) an intervening change in controlling law; (2) the availability of new evidence not previously available; or (3) the need to correct a clear error of law or to prevent manifest injustice. Max's Seafood Cafe, 176 F.3d at 677. A motion for reconsideration is not a proper vehicle merely to attempt to convince the court to rethink a decision it has already made. Glendon Energy Co. v. Borough of Glendon, 836 F. Supp.1109, 1122 (E.D. Pa. 1993). Such motions may not be used to give a dissatisfied party a chance to "[change] theories and try again," and thus obtain a "'second bite at the apple.'" Bhatnagar v. Surrendra Overseas Ltd., 52 F.3d 1220, 1231 (3d Cir. 1995); see also Ogden v. Keystone Residence, 226 F. Supp. 2d 588, 606 (M.D. Pa. 2002) (finding that "The simple fact that Ogden is unhappy with the result of the April 19, 2001 opinion is an insufficient basis to grant her relief.").
Defendants raise several grounds for relief in their motion. The court will address each in turn.
i. Existence of a Valid License
Defendants argue that court erred in concluding that they lacked a valid performance license for the musical compositions in question, and manifest injustice would occur if the court awarded damages when defendants had a license to perform the compositions. In dispute in this case was whether defendants had secured permission to perform the various compositions that were the subject of the lawsuit. United States copyright law "[vests] in the owner of a copyrighted musical composition the exclusive right to perform the work publicly for profit, but the legal right is not self-enforcing." Broadcast Music, Inc. v. Columbia Broadcasting System, Inc., 441 U.S. 1, 4 (1979). Organizations like Broadcast Music, Incorporated ("BMI") (a plaintiff in this case) and the American Society of Composers and Producers ("ASCAP")--from whom defendants claim to possess a license--exist to detect inappropriate uses of copyrighted material and enforce the rights of copyright owners. Id. To prove copyright infringement in the performance context, a plaintiff must demonstrate: "(i) the originality and authorship of the composition involved; (ii) compliance with all formalities to secure copyright; (iii) that the plaintiff is the proprietor of the composition involved in the action, (iv) that the composition was performed publicly for profit at the location alleged; and (v) that the defendant did not have permission from any of the plaintiffs or a representatives [sic] of the plaintiffs for the performance." A & N Music Corp. v. Venezia, 773 F. Supp. 955, 956 (E.D. Pa. 1990).
Though they do not explain how this evidence was unavailable at the time of the court's initial decision, defendants submit information from ASCAP sources which they claim indicates that they had licenses to perform twenty of the twenty-three compositions for which the court found infringement. Defendants also insist that their ASCAP license--purchased after the violations occurred--was retroactively extended to cover October 6 and 7, 2007.*fn1 The court's conclusion that a violation occurred, defendants therefore claim, was clear error and reconsideration is appropriate.
Even if the court were to conclude that defendants possess an ASCAP license that extends retroactive protection to October 6 and 7, 2007, the court would still find that defendants lacked clearance to perform the compositions that are the basis for this lawsuit. Defendants' motion contains an extensive appendix which purports to prove that the ASCAP license covered twenty of the songs that defendants infringed. That evidence proves no such thing. The defendants provide a series of print-outs from the ASCAP website which list compositions the company controls by title. (See Appendix 1 to Plaintiff's Motion (Doc. 37-1)). Many of the titles of those songs are the same or similar to the titles in question here. None of those titles, however, were written by the composer whose rights BMI seeks to protect. Defendants' filing, for instance, indicates that ASCAP protects twenty-seven songs that bear the title "Brown Sugar." None of these titles include a composition by Mick Jagger and Keith Richards.*fn2 Since the copyright claim was for the song written by these two men, evidence ...
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